Terry Boyd

Terry Boyd, a minimalist fiber artist, has created bodies of work that express the importance of memory. He’s experimented with traditional sewing, using a bow and arrow, and is now teaching his sewing machine to think like an abstract painter. Through performance, pattern and minimalist fiber art, I explore and interrogate systems of visual language. My…

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Soil As Witness

After five years of intense engagement with water-based media, painter Maja Ruznic turns again to oil painting in an ongoing exploration of trauma and its untold traces in the series Soil as Witness. ​Examining trauma’s traces through the photographic medium in “Spectral Evidence”, author Ulrich Baer argues that traumatic events and the memories they produce cannot, by the…

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Arthur Huang

A scientist and artist, Arthur Huang documents the mundane task of traveling to and from work. His art showcases the heavy task of recreating his daily routes, sometimes at the end of the day. Just shy from engraving his every move, Arthur has created a world of travels which we were fortunate enough to learn…

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Wendy Crittenden

Your background is in photography, it was what you were focusing on when we were in the MFA program together at SF State University. How did you first get into making drawings?​ I know that’s what it seems like, because both my BFA and MFA are in photography, but I have been drawing since I…

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Bonnie MacAllister

How did you realize or notice that you were an artist?  Much of my work is performative, through writing and composition of texts, plays, and songs.  I was crafting these at a young age.  In college, I was more interested in film and photography, but I was always writing and performing my words.  After starting…

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Héloïse Delègue

Where is your studio space? What is it like in there? My studio is in Gothenburg in Sweden. It’s located in an industrial area not far from the sea. From my window, I can see some old boats and the bridge which leads to the city center on the other side.​My studio is a composition…

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Skye Livingston

JH: How would you describe your subject matter or the content of your art practice? SL: I’m interested in the overlap of the body and the home space, which stems from a fascination with permeable and blurred boundaries. I see a lot of similarities between the body and the home as containers, facades and places…

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