Scott Andrew

Scott Andrew and I met up this March near his home in Pittsburgh’s Squirrel Hill. Scott is a multimedia artist, whose solo work dances across immersive videos, installations, sculptures, and performances to “evoke a childlike yearning for play.” Scott is also a primary collaborator and co-founder of the Institute for New Feeling, “a research clinic committed…

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Julie Bahn

I stumbled upon Julie’s work on Instagram, my daily source of artistic fiber. I experienced a kind of visceral glee from gazing at her visually arresting paintings surmounted only by the longing to see (and perhaps touch) her works in person. She successfully marries a stunning painting practice with tactile elements that emerge from the canvas….

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Open Space, Open Sky, Open

Time is the strangest thing, and that is especially apparent here in Nebraska. I arrived two weeks ago and find myself asking what has happened since. Three hours can pass by like three seconds back home. It’s not that I haven’t been working, I have – on doors, on temples, on crocheting giant socks –…

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Venison Picks: Best of 2017

Amber Imrie-Situnayake’s Picks @amberimrie I was fortunate enough to travel out to New York last weekend for three days! I took this time to indulge in a much needed art-cation, I went from galleries to museums, and returned home with a stack of new books and even some small works of art! Since this trip…

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Up Close and Wearable: Tides

Tides is a series of wearable garments by Amabelle Aguiluz, whose work we’ve been following since the beginning of the year. ​Her influences very much derive from bodies of water and the organisms that live in them. From the first time I saw her work at Art Share LA to her collaborative residency with Szalt Dance Co and their…

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Studio Visit with Matt Hall

I had found out about Matt Hall’s work, like so many other artists I have found recently, through Instagram. I loved the way he was combining traditional skeletal articulation and conceptual ideas.  Pouring over the sculptures and cabinets on his website, I saw little hints of Joseph Cornell, Mark Dion, and a sort of Mellvinian…

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How to Give a Shit No 6

SUBJECT: Corporate Art Opportunity ​Dear Idiot Artist, Would you like to put a whole bunch of your art in a corporate lobby for the people who work there to admire/ignore for a full year? If so, we’ll pay you 1,000 to 2,000 dollars per year–that’s PER YEAR–depending on the size of the lobby. But wait,…

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