Héloïse Delègue

Where is your studio space? What is it like in there? My studio is in Gothenburg in Sweden. It’s located in an industrial area not far from the sea. From my window, I can see some old boats and the bridge which leads to the city center on the other side.​My studio is a composition…

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Skye Livingston

JH: How would you describe your subject matter or the content of your art practice? SL: I’m interested in the overlap of the body and the home space, which stems from a fascination with permeable and blurred boundaries. I see a lot of similarities between the body and the home as containers, facades and places…

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Dear Johannes

What drew you to the NDSM residency? Why did you choose to apply there? I was drawn to the location, the people and the ethos.  I wasn’t explicitly looking for anything like NDSM when I first stumbled across it, but as soon as I found it, I knew it was what I needed for my practice at…

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Hiba Schahbaz

Hiba Schahbaz is a Brooklyn-based artist who works in the centuries-old art form of miniature painting. She trained in miniature painting at the National College of Arts in Lahore, Pakistan and received an MFA in Painting from Pratt Institute in New York City. Schahbaz, a Muslim woman of color, speaks critically and poetically about western…

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Q & A with Dustin Harewood

Dustin Harewood brings to canvas colliding worlds, where east meets west, both above and below sea level. His works mesh the importance of our climate and the heavy hand that media has, using the imagined to discuss our human footprint. Heavily influenced by the submerged landscapes, Harewood has used his memories to create a vibrant and…

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LANE TAPLIN

After graduating from Rhode Island School of Design with a B.F.A. in Textiles, Lane taught art and facilitated community based art projects in programs for adults with developmental disabilities in Portland, OR and Portland, ME. She has created community engaged bodies of work as an Artist in Residence at Elsewhere Studios in Paonia, CO and…

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Alyssa Lempesis

I was curious about the deeper inspiration behind her sculptures, like people always are when looking at contemporary art. We ask ourselves, ‘Why? Why do YOU make this work.’ From simple observation, we can see that Alyssa’s sculptures and videos speak toward the raw and vulgar side of the body. Something which she has been…

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How to Give a Shit

I stand in front of a question written in obsidian shards. I don’t speak obsidian. I’m not sure anyone does. I’m not even sure Jimmie Durham does, and he’s the one who wrote it. I try to translate. “God! You’re, the a do sad ads (oa) ash… bread as a broad goo?” That can’t be…

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